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Drawing upon both personal experiences and observations of cruelty within everyday life, Chen creates photographs that speak in the language of instinct rather than explanation. 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Chuanduan, \"Frozen tree and love\" from \"transparent like a 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Queerness is highly marketable, endlessly demonized, and constantly dissected, despite how many queer people, including myself, still move through the world calculating disclosure carefully to minimize risks to their safety. My lesbian-podcast-filled Instagram feed informs me that PornHub launched a sapphic site and that Hannah Einbinder was uncomfortable identifying as bisexual despite playing a bisexual television character. Do we have patience for ambiguity? I am constantly shown reels abandoning intersectionality, challenging bisexual legitimacy, pandering to queer dating hierarchies, and delineating who counts as sufficiently queer to speak about certain experiences. As my sister would say, \"This is seriously rage-baiting me right now.\"",[],{"_key":4593,"_type":689,"children":4594,"markDefs":4599,"style":718},"24c7c460b39b",[4595],{"_key":4596,"_type":693,"marks":4597,"text":4598},"e548d7671b880",[],"“This is some pretty brutal stuff,” I glance at Jack with raised eyebrows; jokes fly between us wordlessly as we edge our way into a quieter part of the gallery. Clearly, the visitor was not experiencing the same goosebumps lifting across my forearms upon viewing Catherine Opie’s work in person for the first time. Queerness, when presented too directly, too visibly, or too materially, reads as confrontation before it registers as intimacy or social history. I spent the most time with Opie’s journalistic work; in one image, a woman holds a sign that reads, “BUTCHES are my hope for the PLANET.” I kept returning to the confidence of a practice that refuses to negotiate visibility for anyone else’s comfort.",[],{"_key":4601,"_type":689,"children":4602,"markDefs":4616,"style":718},"e4f762c0221f",[4603,4607,4612],{"_key":4604,"_type":693,"marks":4605,"text":4606},"40b85d138920",[],"For Pride Month, I interviewed four photographers who are challenging what photography can do: Quetzal Maucci, Niamh Rogers, courtney coles, and ",{"_key":4608,"_type":693,"marks":4609,"text":4611},"35daf5c494ca",[4610],"f6641507eb48","Asafe Ghalib",{"_key":4613,"_type":693,"marks":4614,"text":4615},"65a312271001",[],", who kindly sat down with me for interviews on their approach to representation.",[4617],{"_key":4610,"_type":716,"button":53,"newWindow":72,"url":4618},"https://dergreif.org/search?result=Asafe+Ghalib",{"_key":4620,"_type":689,"children":4621,"markDefs":4626,"style":718},"2840018ffb77",[4622],{"_key":4623,"_type":693,"marks":4624,"text":4625},"2f14788e8f730",[],"Asafe Ghalib offered one of the sharpest observations about contemporary queer representation: “A lot of representation still moves between two comfortable extremes: suffering that makes people feel compassionate, or beauty that becomes easy to consume.” Stoic suffering, so often reinforced by the aesthetics of medium-format photography, can quickly harden into expectation. Even anti-establishment queer imagery eventually becomes legible branding. As Jonathan Alexander ponders in his new book, “Damage: Notes on a Queer Aesthetic”(2026), is representing queer damage an act of love?",[],{"_key":4628,"_type":689,"children":4629,"markDefs":4634,"style":718},"35afe93911ce",[4630],{"_key":4631,"_type":693,"marks":4632,"text":4633},"23b3cfbc5e88",[],"There is an ongoing accusation, often leveraged against me at dinner parties with straight people, that artists over-rely on identity to access opportunities, institutional support, or cultural relevance. This asinine criticism comes from people uncomfortable with marginalized communities speaking about their lives at all. I can detect a faint undercurrent of jealousy in the conversation. A frustration that identity has become culturally legible in ways their own experiences have not. A wish, perhaps, to be more interesting. 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Ghalib approaches this question from a slightly different angle. While Rogers is interested in visibility as recognition, Ghalib is interested in visibility's limits. Who gets represented? How? And according to whose visual rules? His project \"Under the Same Sun\" documents LGBTQIA+ communities across Cuba, Colombia, Venezuela, Chile, Brazil, Argentina, and Mexico while examining movement between hometowns and urban centers. His work is also currently the poster image for our ",{"_key":5391,"_type":693,"marks":5392,"text":5394},"e0b664a066a7",[5393],"68c2d22ca0de","Pride Month open call",{"_key":5396,"_type":693,"marks":5397,"text":5398},"9f065d15dc96",[],". Compellingly, Ghalib refuses to reduce queer life to familiar narratives. “I am not interested in queerness as a fixed aesthetic,” Ghalib explains. Rather than treating queer people as symbols, they remain attentive to individuals who are, as he puts it, \"sometimes guarded, sometimes theatrical, sometimes tired, sometimes completely in control of how they want to be seen.\" Photography, he argues, can make people harder to erase, and returning the gaze to nuance feels quite radical in a culture obsessed with legibility.",[5400],{"_key":5393,"_type":716,"button":53,"newWindow":72,"url":4653},{"_key":5402,"_type":689,"children":5403,"markDefs":5408,"style":718},"7bd42bf3cfbe",[5404],{"_key":5405,"_type":693,"marks":5406,"text":5407},"c3335fd5040d",[],"courtney coles pushes this conversation closer to the idea of the photographic as therapeutic. As a Black-American Leatherdyke, she describes everything she makes as a love letter. The people in her photographs are not anonymous subjects but friends, former lovers, and chosen family. Photography becomes less a tool of representation than what she calls a \"sacred energy exchange.\" When I asked about photography's role today, her answer was refreshingly unsentimental: \"Everything about photography is a lie. There is always more to be seen outside of the frame, and we as photographers are the most beautiful liars.\"",[],{"_key":5410,"_type":689,"children":5411,"markDefs":5416,"style":718},"663b4fd035af",[5412],{"_key":5413,"_type":693,"marks":5414,"text":5415},"2ea94086aa120",[],"Yet coles remains invested in photography's ability to preserve what might otherwise disappear from view. Reflecting on the AIDS crisis, she notes that an entire generation of queer elders was lost through negligence and homophobia. \"In the event something like that were to ever happen again,\" she writes, \"I wish for our full lives to be represented in the books, museums, galleries and schools.\" Her response is deceptively simple: photograph more. \"Queer love, loss, accomplishments, history needs to be memorialized.\" Long before institutions acknowledged queer archives, queer people were already documenting one another. At protests, in bedrooms, at parties, and at family dinners. Photograph yourself and each other. Participate in our desperate, hopeful act!",[],{"_key":5418,"_type":321,"modules":5419},"e71861a4e9ba",[5420,5449,5479,5508,5537,5566,5596,5624],{"_key":5421,"_type":325,"artist":183,"caption":5422,"image":5423},"30e059ad9f53","courtney coles, \"chain\", 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this year, one of my photographs was selected for a project sending images into outer space. While writing my application, I realized how much comfort I found in the idea that being seen somewhere beyond Earth felt safer than being seen fully here. My father, whom I am still closeted to, photographs galaxies and the moon through his telescope. Photography is one of the only languages we reliably share. There is something meaningful about imagining my image existing somewhere within the same sky he spends so much time looking toward. Perhaps that is part of what queer photography has always done. Leaving evidence behind for one another. Creating images that insist we were here too.",[],"2026-06-12T04:28:38.735Z",{"_type":8,"asset":5665},{"_ref":4310,"_type":11},"eva-rivas-bao-reconstructs-italy-s-failed-metoo-from-within-the-berlusconi-era-mediascape",{"_type":5668,"description":5669},"seo.noImage","Francesca Hummler on Queerness represented as intimacy and social history through the works of Asafe Ghalib, Niamh Rogers, Quetzal Maucci, and courtney coles.",{"_type":4236,"current":4229},"Who represents Queerness?",{},1781773026058]