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I photograph people with amputations during aquatic rehabilitation. Their bodies are partly obscured, their contours blurred into abstract forms. They exist in an in-between space where pain, memory and presence coexist. Water becomes an environment in which the familiar outlines of the body lose their clarity, opening up the possibility of seeing it differently.",[],{"_key":399,"_type":330,"children":400,"markDefs":405,"style":338},"781b8df92e18",[401],{"_key":402,"_type":334,"marks":403,"text":404},"cf0029bc7a90",[],"",[],{"_key":407,"_type":330,"children":408,"markDefs":413,"style":338},"5bdaecf85174",[409],{"_key":410,"_type":334,"marks":411,"text":412},"81b742b30118",[],"All living beings share a connection to water, the environment in which life first emerged. In water, the human body enters a different sensory space, where the experience of weight, movement and physical boundaries changes. This is also why water plays an important role in rehabilitation. Through pressure, resistance and the possibility of moving with a reduced sense of bodily weight, hydrotherapy helps people gradually regain a sense of their physical boundaries. For those experiencing phantom limb sensations, this can also become part of the process of rediscovering their bodies. I see water not only as a space for physical rehabilitation, but also as an environment in which a new map of the body gradually takes shape.",[],{"_key":415,"_type":330,"children":416,"markDefs":420,"style":338},"7f8695fb272a",[417],{"_key":418,"_type":334,"marks":419,"text":404},"3b36ddd5bcaa",[],[],{"_key":422,"_type":330,"children":423,"markDefs":428,"style":338},"b6836f28677b",[424],{"_key":425,"_type":334,"marks":426,"text":427},"42610427b03e",[],"I combine photographs taken in the pool with images made in a workshop where people learn to walk with prostheses. Here, the process of recovery becomes visible through objects and material traces. 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These territories are not simply absent from the accessible map of everyday life; they have been violently separated from the rest of the country, while connections with them and the possibility of returning freely remain restricted. I am interested in how such experiences of loss transform our understanding of wholeness, and how we can reimagine it without denying what has been lost.",[],{"_key":453,"_type":330,"children":454,"markDefs":458,"style":338},"401d1f25a3f5",[455],{"_key":456,"_type":334,"marks":457,"text":404},"ef831b60a120",[],[],{"_key":460,"_type":330,"children":461,"markDefs":466,"style":338},"d30942b2fc80",[462],{"_key":463,"_type":334,"marks":464,"text":465},"7dad03e4b1f8",[],"Rather than making conventional portraits, I move between abstraction and recognisability, observing the vulnerability of the body and its capacity for change. All photographs were made at the Superhumans Rehabilitation Centre and the UNBROKEN Centre in Lviv. 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