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Originally, the form of overlapping images was going to express some of the inherited cycles one encounters within the inner city. The trajectory of the project was redirected after a tumultuous eighteen months of loss. It transformed into an ode to the lives of gone-too-soon-friends: Jabari Benton, Jonathan Sandoval-Aleman, Millard Frazier Jr., and Olivia Lee.",[],{"_key":394,"_type":326,"children":395,"markDefs":400,"style":334},"63d4fa47ce12",[396],{"_key":397,"_type":330,"marks":398,"text":399},"147660e65946",[],"In each image, the families I portrayed appear in the order of their loved ones’ deaths, bearing the cumulative weight of their shared history. They hold images of another family, a gesture to examine how grieving, while a personal experience, is also something we collectively endure. The process was very much a collaborative one, where the relatives of the deceased chose where to honor their brother, son, sister, daughter, father. We gathered at the sites of life or sites of death with mementos of each loved one: an airbrushed tee shirt, flowers at a gravesite, recreating a cherished memory, or using a cardboard cutout from a funeral.",[],{"_key":402,"_type":326,"children":403,"markDefs":408,"style":334},"9556911ea869",[404],{"_key":405,"_type":330,"marks":406,"text":407},"b71469f9aba1",[],"The series of images culminates in the mundane quotidian perspective of how we navigate life, a depiction of how our histories and its weight we carry, are relegated to the background against life's distractions.",[],{"_key":410,"_type":326,"children":411,"markDefs":416,"style":334},"5de8004f21f6",[412],{"_key":413,"_type":330,"marks":414,"text":415},"c3692a487436",[],"Over the course of the five years of the project, a concern arose about the implications of the accessibility to the grief of my friends and the connotations in general of the relationship to Blackness and death. Specifically, I didn’t want the bodies of my friends to be the anchor for conversations about death and grief and adversity. And in keeping with the idea of loss and the limits of the materiality of objects that hold memory, I decided to create another loss: I left my final silver gelatin prints in water to deteriorate over the course of several days.",[],{"_key":418,"_type":326,"children":419,"markDefs":424,"style":334},"6bc64687a577",[420],{"_key":421,"_type":330,"marks":422,"text":423},"d8af62135335",[],"The images could no longer be shared because they no longer existed. And so then the lore of the contents of the destroyed image must be told. And the question became, can we understand stories of collective grief and collective love, without seeing it, but instead hearing about it. 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