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Recurring throughout my work is an engagement with environments in flux and inherited visual narratives, real and imagined landscapes, where the personal intersects with broader political and cultural structures.",[],{"_key":996,"_type":326,"children":997,"markDefs":1001,"style":334},"30786e6246e7",[998],{"_key":999,"_type":330,"marks":1000,"text":402},"c072f8145acd",[],[],{"_key":1003,"_type":326,"children":1004,"markDefs":1009,"style":334},"7af471daf8e5",[1005],{"_key":1006,"_type":330,"marks":1007,"text":1008},"56d43274f44d",[],"This approach is exemplified in my most recent series “Spark of a Nail,” an ongoing photographic collaboration with women and non-binary individuals working and training in the building trades, a historically male-dominated field. The project combines documentary, staged photography, and performance strategies to create a distinct visual language that depicts a choreography of tradespeoples’ bodies shaping and transforming space of their own volition. These photographs are interwoven with moments of rest, collective action, and vulnerability, scenes that are seen infrequently within dominant historical representations of labor. Using staging and performance, I construct images that respond to omissions in the photographic record.",[],{"_key":1011,"_type":326,"children":1012,"markDefs":1016,"style":334},"e987dca0f771",[1013],{"_key":1014,"_type":330,"marks":1015,"text":402},"d6d1152eb923",[],[],{"_key":1018,"_type":326,"children":1019,"markDefs":1024,"style":334},"06bc28fcf3a2",[1020],{"_key":1021,"_type":330,"marks":1022,"text":1023},"ff185a0cbd5a",[],"I collaborate with tradespeople working as carpenters, glaziers, painters, and electricians across the United States with varying levels of experience, often photographing students in programs designed to support women and non-binary individuals entering the trades, as well as individuals working one-on-one in spaces where they can articulate and demonstrate their expertise. 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It was in this era that women first started working in the building trades and were met with extreme hostility. While these jobs are safer today than when women first entered the trades they are still perceived as threats, both economically and because they undermine the perception of this work as inherently masculine. 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