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The highly politicized case was a reminder of the crisis of regard we are in in the United States. One of the recent exhibitions Koyo Kouoh co-curated, ‘When We See Us: A Century of Black Figuration in Painting,’ looks to DuVernay’s series and offers several perspectival shifts – from ‘they’ to ‘we,’ from a focus on the United States to Africa and its wider diasporas, and from externally imposed narratives to self-definition. Foregrounding leisure, intimacy, peace, and play, the exhibition affirms the power and political agency of Black joy and underscores what becomes possible when one is fully seen.",[],{"_key":1412,"_type":316,"children":1413,"markDefs":1418,"style":324},"e99d98f3bf1e",[1414],{"_key":1415,"_type":320,"marks":1416,"text":1417},"a2c8d7e12d900",[],"‘When They See Us’…the sentence is deliberately unfinished. What happens when we truly see one another? 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