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    Guest Room:
    Annekathrin Kohout & Katharina Klang

    Guest Room aims to spark collaboration. Annekathrin Kohout, writer and cultural scientist, has decided to team up with writer, curator of contemporary art and founding director of the Philara Collection, Katharina Klang. Together, they have developed the following framework for your submissions: “No.”

    ​No. Noooooooooooo. No longer. No more.

    What does (an expressed) no look like?

    Selection

      • Nika Sandler, The World of Hedonia_01, Moscow, RUS | DER GREIF
        Nika Sandler, The World of Hedonia_01, Moscow, RUS
      • EJ Hassan, EJHassan_5, Home, AUS, 2022 | DER GREIF
        EJ Hassan, EJHassan_5, Home, AUS, 2022
      • Mai Vendelbo, bw_imcoming_maiviedemonat, Silkeborg, DNK | DER GREIF
        Mai Vendelbo, bw_imcoming_maiviedemonat, Silkeborg, DNK
      • Barbi Arcuschin, Saint Petersburg, Russian Federation, RUS, 2016 | DER GREIF
        Barbi Arcuschin, Saint Petersburg, Russian Federation, RUS, 2016
      • Yuhan Cheng, Goodbye Isaiah, New York, USA, 2022 | DER GREIF
        Yuhan Cheng, Goodbye Isaiah, New York, USA, 2022
      • Miloushka Bokma, The Power of Paralysis 1 (50x70), | DER GREIF
        Miloushka Bokma, The Power of Paralysis 1 (50x70),
      • Jordi Jon, Franco's head, Barcelona, ESP, 2016 | DER GREIF
        Jordi Jon, Franco's head, Barcelona, ESP, 2016
      • Sarah Malakoff, Fog, Brookline, Massachusetts, USA, 2022 | DER GREIF
        Sarah Malakoff, Fog, Brookline, Massachusetts, USA, 2022
      • Md. Zobayer Hossain Joati, Untitled, Dhaka, BGD, 2018 | DER GREIF
        Md. Zobayer Hossain Joati, Untitled, Dhaka, BGD, 2018
      • Kate Sterlin, A woman and child sit in front of the window with their hands on the glass., Los Angeles, CA, USA, 2020 | DER GREIF
        Kate Sterlin, A woman and child sit in front of the window with their hands on the glass., Los Angeles, CA, USA, 2020
      • Dante Busquets, Santa Rosalía, Santa Rosalía, BCS, MEX | DER GREIF
        Dante Busquets, Santa Rosalía, Santa Rosalía, BCS, MEX
      • Julie Fowells, momma's sheets, Vancouver, WA, USA | DER GREIF
        Julie Fowells, momma's sheets, Vancouver, WA, USA
      • Mohamed Hassan, MOMO5556, Wales, GBR, 2022 | DER GREIF
        Mohamed Hassan, MOMO5556, Wales, GBR, 2022
      • Steve Braun, Reiter’s erwachen, Nuremberg, DEU, 2018 | DER GREIF
        Steve Braun, Reiter’s erwachen, Nuremberg, DEU, 2018
      • Francesco Merlini , DD37_014, Midland, Michigan, USA, 2019 | DER GREIF
        Francesco Merlini , DD37_014, Midland, Michigan, USA, 2019
      • Ian Wainaina, alone together, New York, USA, 2019 | DER GREIF
        Ian Wainaina, alone together, New York, USA, 2019
      • Harrison Clarke, In Bed, Ontario, CAN | DER GREIF
        Harrison Clarke, In Bed, Ontario, CAN
      • Shubhra Dixit, Untitled, Delhi, IND | DER GREIF
        Shubhra Dixit, Untitled, Delhi, IND
      • Elena Suvereva, Untitled, Porto, PRT, 2022 | DER GREIF
        Elena Suvereva, Untitled, Porto, PRT, 2022
      • Joshua Poehlein, Poehlein_DerGrief_NO!_02, Renton, WA, USA, 2022 | DER GREIF
        Joshua Poehlein, Poehlein_DerGrief_NO!_02, Renton, WA, USA, 2022
      • Luca De Vincentis, 01, Rome, ITA | DER GREIF
        Luca De Vincentis, 01, Rome, ITA
      • Sebastian Riemer, Sebastian_Riemer_ _, Düsseldorf, DEU | DER GREIF
        Sebastian Riemer, Sebastian_Riemer_ _, Düsseldorf, DEU
      • Nicole Benewaah, Feeling No Pain, Bremen, DEU, 2020 | DER GREIF
        Nicole Benewaah, Feeling No Pain, Bremen, DEU, 2020
      • John MacLean, NO 71%_Are the Dangers Posed by AI Risks Worth Taking?, London, GBR, 2022 | DER GREIF
        John MacLean, NO 71%_Are the Dangers Posed by AI Risks Worth Taking?, London, GBR, 2022
      • Berit Schneidereit, Draperie VIII, X, PRT, 2018 | DER GREIF
        Berit Schneidereit, Draperie VIII, X, PRT, 2018
      • Philipp Baumgarten, no_1, Pölzig, DEU | DER GREIF
        Philipp Baumgarten, no_1, Pölzig, DEU
      • Vera Nowottny, notlonger, outdoor, DEU, 2020 | DER GREIF
        Vera Nowottny, notlonger, outdoor, DEU, 2020
      • Egor Borie, DSC04198, Tbilisi, GEO, 2022 | DER GREIF
        Egor Borie, DSC04198, Tbilisi, GEO, 2022
      • Margaret Liang, Untitled (Self Defense Manual II), London, GBR, 2022 | DER GREIF
        Margaret Liang, Untitled (Self Defense Manual II), London, GBR, 2022
      • Brage Sørlie Kaale, Jens on concrete, Oslo, NOR, 2021 | DER GREIF
        Brage Sørlie Kaale, Jens on concrete, Oslo, NOR, 2021
      • Chiara Benzi, Trademark, Bologna, ITA, 2022 | DER GREIF
        Chiara Benzi, Trademark, Bologna, ITA, 2022
      • Baptiste Penetticobra, thecruzz_1, Ixtapaluca, MEX, 2021 | DER GREIF
        Baptiste Penetticobra, thecruzz_1, Ixtapaluca, MEX, 2021
      • Baptiste Penetticobra, thecruzz_2, Ixtapaluca, MEX, 2021 | DER GREIF
        Baptiste Penetticobra, thecruzz_2, Ixtapaluca, MEX, 2021
      • Sibylle Feucht, Ase Balear 2022, Esporles / Mallorca, ESP, 2022 | DER GREIF
        Sibylle Feucht, Ase Balear 2022, Esporles / Mallorca, ESP, 2022
      • Yichen Zhou, Humiliated and Insulted, New York, USA | DER GREIF
        Yichen Zhou, Humiliated and Insulted, New York, USA
    Supported by our main online partner
    Annekathrin Kohout | DER GREIF
    Annekathrin Kohout

    Annekathrin Kohout (*1989) is a freelance writer and cultural scientist. From 2016 to 2022 she was a research assistant at the Department of German Studies at the University of Siegen, where she completed her PhD on the nerd as a social figure in May 2021. She is co-editor of the book series „Digitale Bildkulturen“ at the publishing house Klaus Wagenbach as well as the journal „POP. Culture and Criticism.“ Since 2022 she has been a member of the editorial board of the international „Global Pop Journal“. Her most recent book „Nerds. A Pop Culture History“ was published by C.H.Beck in January 2022.

    DER GREIF
    Katharina Klang

    Katharina Klang (*1985) is a writer and freelance curator of contemporary art and founding director of the Philara Collection, which she managed from 2016 – 2022. She studied art history and philosophy in Düsseldorf and Prague. Her interests focus on memory culture, archives, politics of public space, human-animal relations, and the ethics of collecting. Her curatorial practice is grounded in a queerfeminist, non-discriminatory, collective, caring, and anti-classist stance.