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For this edition, curator and researcher Annet Dekker invited Margriet Schavemaker to collaboratively explore \"The Brilliance of the Mundane\".",[],"normal",{"_key":332,"_type":322,"children":333,"markDefs":338,"style":330},"c9d0e754b2ac",[334],{"_key":335,"_type":326,"marks":336,"text":337},"57461855e2ed0",[],"\"Millions of images circulate daily, some are profiled on social media sites, uploaded on personal pages, or printed in photobooks. Yet most are discarded in the dark corners of hard drives, platforms, and search engines. They form collections of glitched machine workings, slop AI, landscapes on repeat, selfies from all angles, or accidentally touched camera buttons that create blurred pathways. Never to be seen by humans, these images are a dispersed archive of the banal, the repetitive, or the utterly mundane. 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Margriet Schavemaker received her education as an art historian and philosopher at the University of Amsterdam. She specializes in modern and contemporary culture and museums. Counterculture, feminism, new media, and diversity and inclusion are at the heart of her multidisciplinary practice, which largely encompasses the making of exhibitions, public programs, and publications, as well as writing, lecturing, and media appearances. In June 2024 Schavemaker started as General Director at the Kunstmuseum Den Haag. In this capacity she is also responsible for the Fotomuseum Den Haag, KM21 and the Escher Museum. 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For this edition, curators Auronda Scalera and Alfredo Cramerotti explore \"Shifting Thresholds\".",[],{"_key":1835,"_type":322,"children":1836,"markDefs":1841,"style":330},"108ddc24b15b",[1837],{"_key":1838,"_type":326,"marks":1839,"text":1840},"8d05d004c4820",[],"\"We live in a time when the ground beneath us, political, social, technological, ecological, and even perceptual, feels in constant motion. Borders shift, narratives fracture, and the coordinates through which we orient ourselves are repeatedly unsettled. In such conditions, images often register these transformations before language can fully articulate them. Like seismographs of the present, images capture subtle tremors of displacement: movements of people, identities, landscapes, and systems of meaning.",[],{"_key":1843,"_type":322,"children":1844,"markDefs":1849,"style":330},"66cf1d4d4753",[1845],{"_key":1846,"_type":326,"marks":1847,"text":1848},"c534c6e967770",[],"For this Guest Room, we delve into photographic and image-based works that engage with displacement as both a lived experience and an aesthetic condition. Displacement may emerge through migration, body transformation, exile or environmental change, but also through more subtle forms: the dislocation produced by digital mediation, algorithmic vision, and the fragmentation of attention in contemporary image cultures. We are interested in artists who explore how images themselves can shift, circulate, and transform across contexts, platforms, and geographies.",[],{"_key":1851,"_type":322,"children":1852,"markDefs":1857,"style":330},"921317b8cc2c",[1853],{"_key":1854,"_type":326,"marks":1855,"text":1856},"c0d7888839d10",[],"In this sense, displacement is like a method. Images may act simultaneously as anchors and agents of movement: stabilizing fragile memories while opening new perceptual thresholds. They can reveal how identities and territories are continuously renegotiated, and how visual practices might resist fixed narratives by embracing ambiguity, opacity, and multiplicity.",[],{"_key":1859,"_type":322,"children":1860,"markDefs":1865,"style":330},"3b1b846ba4d2",[1861],{"_key":1862,"_type":326,"marks":1863,"text":1864},"1d3ee29f9a010",[],"Rather than documenting instability from a distance, the works we seek inhabit it. They explore how images respond to uncertainty, how they translate rupture into form, and how they imagine alternative ways of inhabiting a world defined by movement and transformation. We are particularly drawn to practices that experiment with the image as a site of negotiation: images that fracture, migrate, repeat, or mutate; images that hold together multiple temporalities or perspectives. In this sense, instability becomes a challenge and a space of potential, an opening through which new visual languages and new imaginaries of collective life can emerge.",[],{"_key":1867,"_type":322,"children":1868,"markDefs":1873,"style":330},"406b13bf79bf",[1869],{"_key":1870,"_type":326,"marks":1871,"text":1872},"cf8fe8e7de5b0",[],"How can images articulate forms of displacement, migration, technological mediation, ecological change, or emotional estrangement? 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