Guest Room:
OFFICE IMPART

Guest Room aims to spark collaboration. Johanna Neuschäffer and Anne Schwanz, founders of the multi-dimensional space and platform for contemporary art OFFICE IMPART, have decided to collaborate with the artist Christian Mio Loclair, who works at the interface of artistic and scientific research.

Together, they have developed the following framework for your submissions: “Simultaneity”.

The complexity of our time can be described wonderfully with the word simultaneity. An either/or categorization becomes obsolete and truths and principles that seem to contradict each other enter into synergy. Creative processes and AI, natural phenomena and the metaverse, everyday processes and algorithms – how do these simultaneities have an effect on photographic image production?

Selection

    • Clemens Fischer, seven interventions, 2022
    • Matt Gold, 53, Brooklyn, USA | DER GREIF
      Matt Gold, 53, Brooklyn, USA
    • Muyaka Shitanda, Presence and absence, Nairobi, KEN, 2021 | DER GREIF
      Muyaka Shitanda, Presence and absence, Nairobi, KEN, 2021
    • Ornella Fieres, Inverse Fourier 27, Berlin, DEU, 2020 | DER GREIF
      Ornella Fieres, Inverse Fourier 27, Berlin, DEU, 2020
    • Cinzia Romanin, Transcendence_CinziaRomanin_Web_01, Zeeland, NLD, 2022 | DER GREIF
      Cinzia Romanin, Transcendence_CinziaRomanin_Web_01, Zeeland, NLD, 2022
    • Alejandra Valdivia, Trucks VII, Santiago, CHL, 2022 | DER GREIF
      Alejandra Valdivia, Trucks VII, Santiago, CHL, 2022
    • Isabel Mombaerts, The uniform, Unknown, KEN, 2019 | DER GREIF
      Isabel Mombaerts, The uniform, Unknown, KEN, 2019
    • Egemen Tuncer, video still 1, TUR, 2022 | DER GREIF
      Egemen Tuncer, video still 1, TUR, 2022
    • Egemen Tuncer, video still 2, TUR, 2022 | DER GREIF
      Egemen Tuncer, video still 2, TUR, 2022
    • Benxi Tan, Tern, Shenzhen, CHL, 2022 | DER GREIF
      Benxi Tan, Tern, Shenzhen, CHL, 2022
    • Benxi Tan, Nut, Shenzhen, CHL, 2022 | DER GREIF
      Benxi Tan, Nut, Shenzhen, CHL, 2022
    • Benxi Tan, Crisp Candy, Shenzhen, CHL, 2022 | DER GREIF
      Benxi Tan, Crisp Candy, Shenzhen, CHL, 2022
    • Jonathan Steelandt, Normographe_1512, my room, BEL | DER GREIF
      Jonathan Steelandt, Normographe_1512, my room, BEL
    • Aaron Scheer, Screen Painting 3, Berlin, DEU, 2022
    • Darren Rigo, cut, Toronto, CAN, 2016 | DER GREIF
      Darren Rigo, cut, Toronto, CAN, 2016
    • Nikolai Frerichs, 2122_MAP2_Diploma_NikolaiFrerichs_CarrieAnn_9, Virtual, CHE, 2022 | DER GREIF
      Nikolai Frerichs, 2122_MAP2_Diploma_NikolaiFrerichs_CarrieAnn_9, Virtual, CHE, 2022
    • Andre Borges, ENTRE FIOS ANCESTRAIS, Belo Horizonte, BRA, 2022 | DER GREIF
      Andre Borges, ENTRE FIOS ANCESTRAIS, Belo Horizonte, BRA, 2022
    • Roxana Savin, 2, Sibiu, ROU, 2022 | DER GREIF
      Roxana Savin, 2, Sibiu, ROU, 2022
    • Roxana Savin, 1, Sibiu, ROU, 2022 | DER GREIF
      Roxana Savin, 1, Sibiu, ROU, 2022
    • Roxana Savin, 3, Lasi, ROU, 2022 | DER GREIF
      Roxana Savin, 3, Lasi, ROU, 2022
    • Manhattan Effect, Morph 1, Na, SWE, 2022 | DER GREIF
      Manhattan Effect, Morph 1, Na, SWE, 2022
    • Manhattan Effect, Morph 1, Na, SWE, 2022 | DER GREIF
      Manhattan Effect, Morph 1, Na, SWE, 2022
    • Jana Islinger, 02 Droa, Tskaltubo, GEO, 2022 | DER GREIF
      Jana Islinger, 02 Droa, Tskaltubo, GEO, 2022
    • Caroline Boissier, Plastic – waste party, Bali, IDN | DER GREIF
      Caroline Boissier, Plastic – waste party, Bali, IDN
    • Eduardo Sousa Ribeiro, EduardoRibeiro_#3, Lisboa, PRT | DER GREIF
      Eduardo Sousa Ribeiro, EduardoRibeiro_#3, Lisboa, PRT
    • Tony Maj, An orchid to keep #5, Sheffield, UK, 2021 | DER GREIF
      Tony Maj, An orchid to keep #5, Sheffield, UK, 2021
    • Tony Maj, An orchid to keep #4, Sheffield, UK, 2020 | DER GREIF
      Tony Maj, An orchid to keep #4, Sheffield, UK, 2020
    • Baldo Robles, Yelh wit (ensueño), Oaxaca, MX, 2012 | DER GREIF
      Baldo Robles, Yelh wit (ensueño), Oaxaca, MX, 2012
    • Cagla Demirbas, #4, Turkey, Denmark, and Germany, 2022 | DER GREIF
      Cagla Demirbas, #4, Turkey, Denmark, and Germany, 2022
    • Tristan Sheldon, Deer, Missouri, USA, 2021 | DER GREIF
      Tristan Sheldon, Deer, Missouri, USA, 2021
    • Russ Thompson, A Wilderness, California, USA, 2020 | DER GREIF
      Russ Thompson, A Wilderness, California, USA, 2020
    • Stacy Wang, Lasting Longer Than an Instant #1, Xinjiang, CN, 2022 | DER GREIF
      Stacy Wang, Lasting Longer Than an Instant #1, Xinjiang, CN, 2022
    • Stacy Wang, Lasting Longer Than an Instant #5, Jilin, CN, 2022 | DER GREIF
      Stacy Wang, Lasting Longer Than an Instant #5, Jilin, CN, 2022
    • Stacy Wang, Lasting Longer Than an Instant #2, Xinjiang, CN, 2022 | DER GREIF
      Stacy Wang, Lasting Longer Than an Instant #2, Xinjiang, CN, 2022
OFFICE IMPART | DER GREIF
Office Impart

OFFICE IMPART is a multi-dimensional space and platform for contemporary art. Our activities take place on site in Berlin – or anywhere. We, the founders Anne and Johanna, are experts for (and on) changing the art world. We develop exhibitions on- and offline, with classically produced and digital works. We build bridges to art – and sell it. The typical question whether we are a gallery, we therefore basically answer with: "Yes, too!“ Founded 2018 by Johanna Neuschäffer and Anne Schwanz.

DER GREIF
Christian Mio Loclair

Christian Mio Loclair is a German artist who works at the interface of artistic and scientific research. Using custom algorithms, data and digital devices, Loclair creates sculptures, video works and installations to continuously portray the aesthetics and frictions of both human and digital identity. In his work, the artist explores the contrast between natural phenomenons and data-driven algorithms. On the one hand, his works examine the creative and societal potential of artificial intelligence, while, on the other hand, they reflect on the only supposedly opposing myth of man and machine. Loclair focusses on novel aesthetic identities that derive from the interplay of mathematical and poetic research.