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For this edition, Assistant Curator of Photography at SFMOMA Shana Lopes and artist Aspen Mays introduce the theme \"A Little Bit of Magic\".",[],"normal",{"_key":326,"_type":316,"children":327,"markDefs":332,"style":324},"4d87e8133658",[328],{"_key":329,"_type":320,"marks":330,"text":331},"3a9bac1592520",[],"\"Since its invention in 1839, photography has been called a 'magic mirror' and even a form of 'natural magic.' The earliest viewers struggled to explain how light, chemistry, and optics could produce such convincing illusions. 'Magic' became the easiest way to describe what no one quite understood. In every generation of photographers, there have always been some artists who have turned away from the documentary characteristics of the medium to instead create images that challenge the logic of the real world. Again and again, they return to magic and, in so doing, bring spectacle and wonder back into photography.",[],{"_key":334,"_type":316,"children":335,"markDefs":340,"style":324},"54a9b952c157",[336],{"_key":337,"_type":320,"marks":338,"text":339},"686e28ece0b50",[],"We invited artists to consider how magic functions within photography today. What happens when the medium feels overly rational or even the opposite, wildly implausible? Where do artists reinsert illusion and misdirection back into their work? In a moment shaped by synthetic imagery and information overload, how might magic once again become a way to push back or re-enchant the medium of photography?\"",[],[342,408],{"_createdAt":343,"_id":344,"_rev":345,"_system":346,"_type":349,"_updatedAt":350,"body":351,"email":360,"image":361,"instagram":396,"name":397,"profession":400,"slug":404,"title":407},"2026-04-28T11:23:39Z","0a0e65f0-0649-45f6-990e-ea4896ea276c","9RGFevtC80HFW1nDZErXAx",{"base":347},{"id":344,"rev":348},"Mhssgs6mzl7NECPsWA7RzW","contributor","2026-05-02T12:40:25Z",[352],{"_key":353,"_type":316,"children":354,"markDefs":359,"style":324},"f0ee77be3edc",[355],{"_key":356,"_type":320,"marks":357,"text":358},"b523a7eea4750",[],"Shana Lopes, PhD, is Assistant Curator of Photography at SFMOMA. 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For this edition, Arles-based Alejandro León Cannock (Director, Manuel Rivera-Ortiz Foundation and Delphine Manjard (Director, Librairie du Palais) are exploring the theme \"Have You Checked Your Screen Time? Forms and Logics of Excess.\"",[],{"_key":626,"_type":316,"children":627,"markDefs":632,"style":324},"72e1b31a8b01",[628],{"_key":629,"_type":320,"marks":630,"text":631},"18b4e021d3ae0",[],"This edition of Guest Room brings together photographic projects that deal with excess not as a topic, but as a condition of the present. Excess is understood as a core logic of today’s capitalist system. Photography becomes a method to question, expose, and reflect on this condition, even when doing so also puts the photographic image itself into question. Photography is understood here in its expanded sense, encompassing documentary images, constructed scenes, archival material, moving images, and hybrid forms that respond differently to the same condition.",[],[634,679],{"_createdAt":635,"_id":636,"_rev":637,"_type":349,"_updatedAt":638,"body":639,"email":648,"image":649,"instagram":672,"name":673,"slug":676,"title":678},"2026-01-14T08:40:52Z","d65d2f2b-e2af-45d9-9d12-ae6cab15a369","P0KTJP9wBAH1VoHwrZFcs4","2026-01-14T08:42:34Z",[640],{"_key":641,"_type":316,"children":642,"markDefs":647,"style":324},"a96a5bb532b1",[643],{"_key":644,"_type":320,"marks":645,"text":646},"a5a6469520f90",[],"Alejandro León Cannock (Peru, 1980) is a researcher and lecturer, curator, and visual artist. He holds a PhD in artistic research from the École Nationale Supérieure de la Photographie d’Arles / Aix-Marseille University, as well as a Master’s degree in Photography from Centro de la Imagen (Lima) and a Master’s degree in Philosophy from the Pontificia Universidad Católica del Perú. He was curator of the Peruvian Pavilion at the 2024 Venice Art Biennale and, in 2025, recipient of the research and creation grant from the Institut pour la Photographie in Lille. He works at the Faculty of Fine Arts at Aix-Marseille University. 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