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DER GREIF
Zhu Gaocanyue

Named after a line from Hui Shi’s “Ten Paradoxes” in the “Zhuangzi” – a foundational text of Chinese philosophy and Taoism – this body of work constructs moments that subtly deviate from reality: blurred scales, unnatural light, materials and spaces that feel both true and false, a sense of weightlessness. They resemble the hazy return of memory when I wake in the middle of the night. The images ...

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