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The first chapter of the project “I’ve Never Seen My Father Cry” here presented is “Homecoming,” an exploration of my father’s return to Congo after forty-six years of absence, a journey deeply marked by the contrast between his childhood memories and the reality of the country. After so many years, he expected to rediscover familiar places and sensations, but what he encountered was very different: a transformed country, sometimes unrecognizable, where he rarely dared to go outside.
Through photography, I captured this tension between memory and the present, working with landscapes, portraits, and scenes from everyday life. Each image bears witness to the emotional impact of this return – not only on him, but also on me, as I observed his silences, his hesitations, his lost gaze.
This project goes beyond my father’s personal story. It speaks about exile, identity, and the gap between memory and reality. It resonates with anyone who has had to leave their country and, one day, faces the question of return. Through my lens, I seek to translate this distance between past and present, between the mental image of a place and its inevitable transformation.
It is a story of nostalgia, loss, and resilience: a reflection on how we cling to memories and what happens when those memories no longer find an echo in the real world.
Chrystel Mukeba is part of Issue 18 by Guest Editor Hank Willis Thomas.